Vive en Brooklyn, Nueva York.
1997 – B.A. en Arte, Magna Cum Laude, California State University, Bakersfield, CA.

EXPOSICIONES INDIVIDUALES

AÑO 2007

•Spanierman Modern, Nueva York, NY
•d.e.n. contemporary art, Culver City, CA.
•Brian Gross Fine Art, San Francisco, CA.
•Galería Fernando Latorre, Madrid.

AÑO 2006

•Irvine Contemporary Art, Washington, DC.
•Richard Levy Gallery, Albuquerque, NM.
•Cervini/Haas Gallery, Scottsdale, AZ.
•Roy Boyd Gallery, Chicago, IL.

AÑO 2005

•Sala Robayera, Miengo, Santander.
•Irvine Contemporary Art, Washington, DC.
•Brian Gross Fine Art, San Francisco, CA.

AÑO 2004

•William Shearburn Gallery, St. Louis, MO.
•Museo Pablo Serrano, Zaragoza.
•Galería Fernando Latorre, Madrid.
•Cristinerose Gallery, Nueva York, NY.

AÑO 2003

•Roy Boyd Gallery, Chicago, IL.
•Richard Levy Gallery, Albuquerque, NM.

AÑO 2002

•Brian Gross Fine Art, San Francisco, CA.
•1AÑO 23 Watts, Nueva York, NY.

AÑO 2001

•Hunsaker/Schlesinger Fine Art, Santa Monica, CA.

AÑO 2000

•Brian Gross Fine Art, San Francisco, CA.
•Galería Fernando Latorre, Zaragoza.
•Városi Muvészeti Múzeum, Györ, Hungría.
•Galeria Madách, Budapest, Hungría.

AÑO 1999

•Earl McGrath Gallery, Nueva York, NY.
•Hunsaker/Schlesinger Fine Art, Santa Monica, CA.
•Brian Gross Fine Art, San Francisco, CA.

AÑO 1997

•Brian Gross Fine Art, San Francisco, CA.
•Hunsaker/Schlesinger Fine Art, Santa Monica, CA.

AÑO 1996

•Brian Gross Fine Art, San Francisco,CA.

AÑO 1992

•Sala Torrenueva, Zaragoza.

AÑO 1988

•Sala Municipal de Arte Joven, Zaragoza.

EXPOSICIONES COLECTIVAS

AÑO 2006

•On Paper, Spanierman Modern, Nueva York, NY.
•Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, DC.
•Perfect. Illinois State Museum, Whittington, IL.
•Beyond the Sensibility, Gallery Ihn, Seul, Corea del Sur.

AÑO 2005

•Repeat Performance, Anthony Grant, Inc. Nueva York, NY.
•Big, William Shearburn Gallery, St. Louis, MO.
•Minimal Art Now, Elvehjem Museum of Art, University of Wisconsin-Madison, WI.
•Perfect.Art Museum of the University of Memphis, Memphis, TN.
•Contemporary Arts Center, New Orleans, LA.
•Urban Institute of Contemporary Art, Grand Rapids, MI.

AÑO 2004-13

•Richard Levy Gallery, Albuquerque, NM.
•Gridlock, Open Studios Press, Boston, MA.
•Drawings: All Media, Irvine Contemporary Art, Washington, DC.
•Accrescere, Gallery Joe, Filadelfia, PA.
•Perfect . Chicago Cultural Center, Chicago, IL.
•Winter White. Black in Black, Clifford-Smith Gallery, Boston, MA.

AÑO 2003

•Mater Color, Thatcher Projects, Nueva York, NY.
•Gallery Invitational. Cervini Haas Gallery, Scottsdale, AZ.
•Known and New in Contemporary Art, Irvine Contemporary Art, Washington D.C.
•Marco Casentini, Teo Gonzalez, Ed Moses , Recent Work. Brian Gross Fine Art, San Francisco, CA.
•scope Los Angeles, Richard Levy Gallery, Los Angeles, CA.
•Current, Richard Levy Gallery, Albuquerque, NM.
•Piedra de Toque, Galería Fernando Latorre, Madrid.
•Roy Boyd Gallery, Chicago, IL.
•Frontera, Sala Luis de Ajuria, Vitoria -Gasteiz, Alava.
•The Season of Sweet Silent Thought, Bronx River Arts Center, El Bronx, NY.
•Components, Elizabeth Leach Gallery, Portland, OR.

AÑO 2002

•Roy Boyd Gallery, Chicago, IL.
•AÑO 25 Anniversary Benefit Selections Exhibition, The Drawing Center, Nueva York, NY.
•Accumulation, Clifford-Smith Gallery, Boston, MA.
•Gallery Joe, Filadelfia, PA.
•Kiang Gallery, Atlanta, GA.

AÑO 2001

•Boomerang: Collector’s Choice II, Exit Art, Nueva York, NY.
•VIII Bienal de la Ciudadela, Pamplona.
•VI International Biennial of Drawing and Graphic Arts, Györ, Hungría.
•Taking Stock, Gallery Joe, Filadelfia, PA.
•microwave, Three, 1AÑO 23 Watts, Nueva York, NY.
•Paintings(Between Texts and Textiles), 1AÑO 23 Watts, Nueva York, NY.
•Brian Gross Fine Art Gallery Artists, Shasta College Art Gallery, Redding, CA.
•El Desafío de la Mirada, Galería Fernando Latorre, Zaragoza, Spain.
•Obsessions, University of California San Diego, La Joya, CA.

AÑO 2000

•Paper, Earl McGrath Gallery, Nueva York, NY.
•Spanyol Müvészek Kiállítása, Városi Muvészeti Múzeum, Györ, Hungría.
•Summer Exhibition, Hunsaker/Schlesinger Fine Art, Santa Monica, CA.
•It’s About Time, Riverside Art Museum, Riverside, CA.
•Yellow: The First Color, Bedford Gallery, Walnut Creek, CA.

AÑO 1998

•Stocking Stuffers, Earl McGrath Gallery, Nueva York NY.
•Selections Spring ‘98, The Drawing Center, Nueva York, NY.

AÑO 1996

•Daniel Arvizu Gallery, Santa Ana, CA.
•Drawn Conclusions, Riverside Art Museum, Riverside, CA.

AÑO 1995

•Watts Towers Art Center, Los Angeles, CA.

AÑO 1994

•New Images, Center for the Visual Arts Gallery, Oakland, CA.
•Fondo de Dibujo del Gobierno de Aragón, Sala Lanuza, Zaragoza.
•Arizona Aqueous, Tubac Center of the Arts, Tubac, AZ.

AÑO 1993

•Los Angeles Municipal Art Gallery, Los Angeles, CA.
•10 Años de Expresion Joven, Sala de la Corona, Zaragoza
•Centro Cultural de Ibercaja, Guadalajara
•Centro Cultural de Ibercaja, Zaragoza; Sala de Exposiciones de la Lonja,Alcañiz;
•Sala de Exposiciones del Ayuntamiento, Huesca; Palacio de Congresos, Jaca
•Sala de Exposiciones de la Escuela de Artes y Oficios, Teruel.

AÑO 1992

•Premio Isabel de Portugal, Palacio de Sástago, Zaragoza.

AÑO 1991

•II Biennal de Girona, Casa de la Cultura Tomás de Lorenzana, Gerona.
•Expresión Joven, Diputación Provincial, Zaragoza; Sala Pablo Serrano, Teruel; Sala Genaro Poza Huesca.
•Certamen de Pintura Villa de las Rozas, Sala Maruja Mayo, Las Rozas, Madrid.

AÑO 1990

•Expresión Joven, Museo Provincial de Zaragoza, Zaragoza; Sala Caracas,
•Alcorisa,Teruel
•Sala S’art, Huesca.
•Blanco y Negro, Centro Cultural del Condeduque, Madrid.
•Premio Hispanoamericano Daniel Vázquez Díaz, Diputación Provincial de Huelva, Huelva

AÑO 1989

•Premio Nacional de Pintura Zurbarán, Zaragoza.
•Encuentro de Pintura Joven, Málaga.
•Pintores de los 90, Palacio de los Condes de Sástago, Zaragoza.
•Teo González y Angelillo, Sala de Exposiciones de la Facultad de Filosofía, Universidad de Zaragoza.

AÑO 1987

•Premio de Pintura Villa de Sax, Sax, Alicante.

AÑO 1985

•Angelillo y Teo, Universidad de Zaragoza, Zaragoza.

MUSEOS Y COLECCIONES PUBLICAS

•The Museum Of Modern Art, Nueva York, Ny.
•Los Angeles County Museum Of Art, Los Angeles, Ca.
•National Gallery Of Art, Washington, D.C.
•Museo Pablo Serrano, Zaragoza.
•The Judith Rothschild Foundation, Nueva York, Ny.
•Ayuntamiento De Miengo, Santander.
•Corcoran Gallery Of Art, Washington, D.C.
•Hood Museum Of Art, Dartmouth College, Hanover, Nh.
•Achenbach Foundation, Fine Art Museums Of San Francisco, Ca.
•San Diego Museum Of Art, San Diego, Ca.

CORPORACIONES Y COLECCIONES PRIVADAS

•The Progressive Art Collection, Mayfield, Oh.
•Werner Kramarsky, New York, Ny.
•Royal Bank Of Scotland, Houston, Tx.
•Caja de Madrid, Madrid, Spain.
•Circa XX, Pilar Citoler, Madrid, Spain.
•Fidelity Investments, Boston, Ma.

BIBLIOGRAFÍA SELECCIONADA

AÑO 2007

•Atwood, Roger. “Teo González,” Artnews, Enero.

AÑO 2006

•Wennerstrom, Nord. “Teo González,” Artforum, Diciembre. Pag 31AÑO 2.
•Binstock, Jonathan P. “Tradition’s Muse,” Teo González: AÑO 2AÑO 26, 085 Drops, Irvine Contemporary: Washington D.C. Pagina 3.
•Camper, Fred. “Happy Accidents,” Chicago Reader, Feb. AÑO 24, AÑO 2006. Sec. two, p. AÑO 23.
•Artner, Alan. “Art “, Chicago Tribune, Feb AÑO 24, AÑO 2006. Sección 7, Pagina 19.

AÑO 2005

•D.G. “The Market ‘Just Absorbs’ Works by Teo González,” ARTNewsletter, 30 agosto.
•Baker, Kenneth. “Subtle Evolution Marks González’s Latest Abstracts,” San
•Francisco Chronicle, Datebook, Marzo 5.

AÑO 2004

•Alonso Molina, Oscar. “Teo González,” Arte y Parte, Oct-Nov. página 119.
•Navarro, Mariano. “Teo González,” El Cultural, Sep. AÑO 23, página 36.
•Goodbody, Bridget. “Teo González,” Time Out New York, Feb 1AÑO 2-19. Pág 65

AÑO 2003

•Artner, Alan. “Teo González,” Chicago Tribune, 5 diciembre, Sección C, página 25.
•Zoltak, Benjamin. «Pump Some Art Through Those Veins, » Centerstage:
•Museums and Galleries, Chicago, AÑO 20 noviembre. P. 27.
•Helfand, Glen. «Teo González,» Teo González 115,717 Black and White (exhibitio catalogue), Alburquerque, Abril, p.4.

AÑO 2002

•Sirmans, Franklin. «Teo González, ‘106,585 Drops’», Time Out New York, May AÑO 23-30,p.76.
•Dannatt, Adrian. «Teo González,» The Art Newspaper, June, What’s On p.3.
•Devine Thomas, Kelly. «The New York: Filling a Void,» Artnews, Abril, p. 1- 2 2- 23.

Teo González

Quinto de Ebro, Zaragoza 1964. Vive en Brooklyn, Nueva York.
1997 – B.A. en Arte, Magna Cum Laude, California State University, Bakersfield, CA.

González’s minimal paintings have historically juxtaposed chaos and order, movement and static, or depth and flatness. For this new series, González states that his «source of inspiration has been the night sky, those images of deep space that we can witness thanks to the most advanced telescopes. What I have tried to do is to see those images through the lens of my working process.»
Inspired by the image of the night sky, González paints the background a mix of shades of dark blue. The foreground of the painting demonstrates the significant role that drawing plays in this series. Using paint instead of ink, González methodically draws thousands of white dots onto the canvas. Playing with the variation of the size, density, and placement of forms enables organic rhythms to emerge. González also introduces a new element in this series, which is an ethereal, gradated layer of white paint creating an illusionistic effect that implies greater depth. González’s reductive paintings are infused with movement and dimension resulting in work that is vibrant, dynamic and utterly captivating.
Teo González was born in Zaragoza, Spain in 1964. He received his BFA from California State University, Bakersfield, and currently lives in New York City. His work can be found in the public collections of the Achenbach Foundation at the Fine Arts Museums of San Francisco, Corcoran Gallery of Art, Washington D.C., Los Angeles County Museum of Art, Museum of Modern Art, New York, the National Gallery of Art, Washington D.C. and the San Diego Museum of Art. This is González’s ninth solo show with Brian Gross Fine Art.